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Bill Laswell Discography Torrent

6/1/2018
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Since the late '70s, Laswell has relentlessly pursued the future with a stunning range of musicians and thinkers. A short list includes Herbie Hancock, Laurie Anderson, Tony Williams, Mick Jagger, Sting, Carlos Santana, John Zorn, the Dalai Lama, Pharoah Sanders, Yoko Ono, John Lydon, Bootsy Collins, Buckethead, Brain, Bernie Worrell, Karsh Kale, Afrika Bambaataa, The Last Poets, Zakir Hussein, Shankar, Ustad Sultan Khan, Sonny Sharrock, Toshinori Kondo, Nona Hendryx, George Clinton, Whitney Houston, Bachir Attar, the Jungle Brothers, William Burroughs, Paul Bowles, Sly & Robbie and dozens more from the Americas, Africa, the Caribbean, Europe, the Middle East and Japan.

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His willingness to take risks is unparalleled in the world of music--as is his ability to unite seemingly disparate voices. A traveler from the time he was born, Bill Laswell's discography reads like a series of postcards from around the planet.

A man in constant motion, his earliest years were spent on the road with his parents, moving frequently throughout the mid-west, eventually settling in Albion, Michigan when he was six. Barely a teenager Laswell began striking out on adventures of his own, riding the bus or hitchhiking to Ann Arbor, Detroit, Chicago, Toronto and Montreal. Sometimes his mission was just to see what existed beyond his home town but more often he was out to raid record shops or absorb live musicas a kid he was already deep into the titans of free jazz and fusion as well as blues, r&b and rock.

Perhaps his most remarkable adventure around this time occurred when he made his way from Albion to Rhode Island for the Newport Jazz Festival to see Tony Williams' Lifetime, photos of which he keeps to this day. High among Laswell's early influences was Miles Davis' electric period, 1969 to 1974. Payroll System In Visual Basic 6.0. The swirling textures of songs such as He Loved Him Madly, In a Silent Way and Shhh/Peaceful-suggested to Laswell ways in which sheets of atmospheric sound and texture, rather than traditional ideas of rhythm, melody and harmony, could play the dominant role in musical creation.